MomoTV – Episode #3 – Steady streaming

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Fever pitch

Tony Lind aka Gramps.
Gramps. Photo: Christopher Anderzon.

Let me be absolutely crystal clear on this; tonsillitis sucks.
Now, I’m not going to start one of those mancold lamentations, which are ridiculous, but I actually had to cancel a gig this weekend due to illness, which is the first time ever for me. So that wasn’t fun.
Other than that, there’s really no point complaining, it is what it is, and you get to go on endless binges on HBO and Netflix, and as a horror fan I can tell you that watching scary movies with a 39°C fever (102°F) is very surreal and makes the experience even more unsettling, so that’s highly recommended.
One thing that always fascinated me about having a high fever and being stoned on painkillers are the dreams you have as you slip in and out of sleep in a daze. They can get truly bizarre at times, and I really wish I could record those dreams and watch them again later, there might be some amazing material for songs, books or movies in there. But at one point last night, I had an unbelievably lucid and meticulously detailed dream about making the arrangements for my own funeral, and let me tell you, I was on such a roll! I picked all the music I wanted performed, and the musicians I wanted to play, which people I wanted to invite, and some personal messages I wanted to leave for them. It was really awesome. I never wanted to have a depressing funeral, and the arrangement I came up with in my dream was just perfect for what I would like it to be when I eventually bite the Big One someday, so I decided that I would write down everything I could remember of the dream (which was most of it), and use that as a blueprint for the actual event. So, that was cool.
Anyway, I hope I’ll be back on my feet real soon, as we are about to start recording new material with Billy Momo in just a few days. Dreaming with a fever might be cool as shit, but playing the drums is not. This I know from experience.
The fever still lingers, so if this text seems even more rambling, incoherent and/or riddled with typos than usual, that might have something to do with it.

Take care, all you crazy kids in love out there.

/Gramps

Recommended listening:

All the leaves are brown…

Billy Momo sounds like… eeerrr? hmmm… what? (guest blog)

Billy Momo sounds like?

Ever since I started working with Billy Momo two years ago, we’ve constantly been battling with the issue of how to describe the sound. The (first and) second album, Drunktalk, was labeled “urban folk” by international media. By me, I think the term ‘folk’ tends to be a little, little misleading, but I kept using it throughout the album launch campaign.

The third and latest album, Seven Rivers Wild took another musical turnway. This time the ‘folky’ bits were tuned down a notch and Billy Momo got a more classic sound, somewhat guitar driven but still that nice and quirky tone to it. For SRW the ‘urban folk’ label did not fit, at least not for all the tracks so I used ‘alternative rock’.

And with new material coming up, starting from October – it sounds we’re heading a bit towards the sound on the first two albums again. We tried to think up a new genre, ‘beat root’ – I think it sums the sound really great, but you catch it really first you see it in print. I don’t want the audience to think about shopping vegetables when they think of Billy Momo. Or, on the other hand – maybe I would like that? Vegetables are good for you!

So, what should we call the sound of Billy Momo? Any suggestions?

/Birgitta, manager Billy Momo

Live vs recording

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Orren (aka Oskar Hovell). Photo of course by Christopher Anderzon.

There are very few things I love as much as performing live with Billy Momo.
Except for a few things I do with family and friends, the only thing I can think of is recording music with Billy Momo.

Billy Momo is a great live band.
We haven’t always been, though. We started as a duo. It was hard to find a way to reconstruct everything we did in recording, live. There were laptops and backtracks and different complicated solutions. We barely had time to see the audience out there for all the instruments we had to focus on simultaneously.

I am ever so greatful for my band and what they’ve done to the show. Not only as a solution of course. It’s hard to even imagine us now whitout the crude and decadent Preacherman, the cute but mischievous Hotlips, the ever-happy Gramps, the silent but violent The Coffa, the dandy rockstar The Head. We are not only sounding (and looking) good, we are fun to hang with up there, which I think means a lot.

So, sometimes people – especially people in the music business – tell us they were suprised to see how good we are, after having listened to our recordings. Some would even say they were not that impressed by the recorded material, but almost chocked by the live experience.

Well, here’s why that is: If you decide for yourself that you want to check out a band, if you believe you are going to like it, if you think you might be about to make a real rescovery, you’ll give the band your best. You’ll put the music on without sending emails, feeding your kids or talking on the phone simultaneously. You may even listen to a full album instead of the random “most popular”. You might be checking out album covers, pictures or even biographies. You are digging in!

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Barba, Hotlips and The Head. Photo: Birgitta Haller.

And that’s pretty much what you do every time you see a band live. You invest in the experience. You get yourself a drink, you probably brought a friend and you give it your evening. These are the proper ways to check out a band.

However, if you’re listening at home and have no specific expectations, no reason to feel like this should be right up your alley, or if it’s your job to listen to alot of new stuff that some manager or booking agent or whatever claims to be hot shit, you won’t give it that same time, focus and energy. It would be a better investment of your time even if you were dragged down to the venue against your will.

Yes, we are great live. It’s not only the joy of our lives, it’s our job. Doing the best that can be done with the live show is a responsibility. Just like it is to use the opportunity of a recording studio to do crazy creative stuff.
So, when people say we should sound more on recording as we do live, I say sure! But would you go home, put on any one of our records really loud, invite a few friends and make sure you got a beer in hand at all times while listening for an hour and then see what you think?
We very well may still try sounding more “live” on recording. It is a life of it’s own, the recording, and we will not try to recreate the live show. But you could try to recreate yourself as a live audience!

Thought we were silently doing nothing?

We can tell you we did not. We’ve been cruising, travelling, restoring houses, building a studio in restored house. And we’ve been doing a few shows, too.

After we’ve finished building the studio, some crazy shit is going to happen. We’re producing and recording new songs! And planning some fun stuff along the way…

Just keep a lookout, if you’re curious…

New grounds: Some updates from the road.

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Gramps (Tony Lind). Photo: Christopher Anderzon.

All quiet on the Billy front? Not quite. But we’ve been really busy lately, so the blog posts have been conspicuous by their absence, and for this we apologize.

The summer concerts are coming along nicely, and we are still adding shows, so the initial itinerary may be subject to change over the coming weeks, stay tuned on facebook for updates.

Summer weather in Sweden is, at best, fickle, but so far we have been lucky, and Helios has mostly been smiling on our outdoor shows, unlike some big stadium shows that were halted this past weekend by heavy rainfall.

We’ve been extending the setlist quite a bit lately, which is cool for fans who might have missed some of their old favorites from earlier tours when they saw the first Seven Rivers Wild shows. We have added several golden oldies for your pleasure, so make sure you catch at least one of our summer performances!

We are also playing mostly new venues (to us) on this tour, so we are breaking new ground, meeting new people and making new friends, and havin’ a blast doin’ it.

Midsummer is coming up, and for this holiday, which is a pretty big deal in Sweden, we will pull the breaks on the tour bus and engage in some hardcore Billy-style partying which should go down in band folklore gloriously. But once the hangovers have been endured it is back to work.

All the audiences so far have been great, and we can’t express enough how much we appreciate you guys comin’ out and enjoying the ride with us, our old, trusted fans who stay with us through thick and thin, as well as new friends who brighten our day with your presence.

Oh, yeah! For those who read my post a while ago about the post-gig blues, I’m currently trying out some supplements that seem to ease my PGB symptoms, a nice development that might save me many hours of insomnia in the future.

See you guys on the road!

/Gramps

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